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Between and Mortarboard

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14 UMMA Objects
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At the top of the print, there are three oval shapes, from the left, the first white and the next two black. Undulating horizontal black and white lines create a rectangular section at the center of the composition, interrupted to create other geometric shapes. There are light grey, black, and white triangles and squares at the bottom of the image. Overall, the background is a solid grey. The print is signed in pencil (l.r.) "Vasarely-" and numbered in ink (l.l.) "70/150".
Victor Vasarely (French (culture or style))
Untitled
1959
Gift of the Estate of Maxine W. Kunstadter in memory of Sigmund Kunstadter, Class of 1922
1983/1.404.3
This print has a large horizontally-oriented diamond in relief with a large vertically-oriented black printed within it. Below there are a series of horizontal lines that are broken and swell, creating another diamond shape. The print is numbered (l.l.) "38/75" and signed (l.r.) "Vasarely-" in pencil.
Victor Vasarely (French (culture or style))
Untitled
1966
Gift of Dr. Seymour and Barbara K. Adelson
2015/1.376.3
Concentric lines of bright red alternate with lines of blue and green to create an optical illusion of receeding squares. The juxtaposition of these colors also creates an appearance of intersecting orange lines and hues of purple.
Richard Anuszkiewicz
Mercurius in the Vessel
1963
Bequest of W. Hawkins Ferry
1988/1.137
Two sets of concentric arcs of bright colors radiate toward one another from the lower left corner and the upper right corner.
Frank Stella (American (North American))
Untitled
1968
Gift of Philip M. Stern, Washington, D.C.
1993/2.6
This print has a series of geometric shapes and patterns in black and white. At the top are two rectangles in black, and below there are a series of dashes in alternating grid patters that create one large and two smaller rectangular shapes. At the bottom of the print are two white rectangles, in relief. The print is numbered and signed (l.r.) "39/75 -Vasarely-" in pencil.
Victor Vasarely (French (culture or style))
Untitled
1966
Gift of Dr. Seymour and Barbara K. Adelson
2015/1.376.1
A framework three-dimensional cube sits at an angle so that one of its corners appears to protrude from the center of the piece. The cube is gray, with dark gray shading on the shadowed edges, and dark and light yellow shading on the lit edges. The canvas is cut to the dimensions of the cube.
Alvin D. Loving
Untitled Cube
1969
Museum Purchase
1969/2.25
Black, grey, and white geometric shapes and lines interact on off-white paper.  
Victor Vasarely (French (culture or style))
Clarities: Laika
1970
Gift of Dr. Seymour and Barbara K. Adelson
2015/1.375

Victor Vasarely (French (culture or style))
Chess Set (Board)
1975 – 1985
Gift of Jack A. and Noreen Rounick
2004/2.86II
A white rectangle stretches from near the left edge to the right edge. It has two small verticle ochre rectangles close to either end. Around the white rectangle are sections of yellow and ochre.
Josef Albers (American (North American))
White Front
1958
Museum Purchase
1958/2.72
At the outer edge a long black rectangle composed of graphite and wax extends upward. Within this border is a white rectangular stripe, following the same arc as the outer black rectangle, which is exposed Arches heavy white paper. An inner black stripe sits at the composition's center composed of the same wax and graphite.
Brice Marden
Hydra Study
1975
Museum Purchase
1976/1.231
This print has a series of horizontal, intersecting lines at the bottom of the scene and, at the top, a large oval in relief with two smaller, black ovals within. The print is numbered (l.l.) "38/75" and signed (l.r.) "Vasarely" in pencil.
Victor Vasarely (French (culture or style))
Untitled
1966
Gift of Dr. Seymour and Barbara K. Adelson
2015/1.376.2
An abstract composition with overlapping quadrilateral shapes in shades of pink against a red and orange striped background. It is composed so that the images seem translucent and stacked in space, appearing 3-dimensional.
Julian Stanczak (American (North American))
Dedicated
1971
Gift of the Estate of Richard H. Shackson
2015/2.25
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